“Lobo .==Feroz is a lo!\/ose, ]_rev[@ital;)ised adaptatio/#*/n/$ of=! $ ;*Big Bad =#Wo],lves.) T #(h
.ere were,. many  ch,ang,es that we ]+*ma^._de whe n,/ yo ;u..! com%#@pare% it ;t//:o the orig.inal,]) g([iven that we added new ;@^chara%c t#ers, plot strands an )d locations, and [ we introdu_-ced and fleshed out *new themes teeteri@
n_:%*,g-; between dark comedy and poli.ce thr/:i@)`l)le,#+^
r
#. The ^#film questions;_ one’s pr!;inciples, human b.-ehaviour a+ )nd how ambiguous it c=\an be,( #” the direct$ or exp]laine.@ d to Ci#;(n)$[europa.; “+I’m ve*ry. happy to be able to work!
 with, a dream Spanish c%ast, where e][ve= ryo$ne demonstrat(es@[` (thei
r en`?ormous ta@lent and commi^]? t%#/men%.t in ever)y s;cene an*(d throug^
h every s/i#\ngle detail.+)”　　^$)The scree-\ nplay for (\ *t!he mov+ie – wri tten by Juan Manu_) el Foode @Roma and Eva María Alonso Moreno _– follows;!! a police.\+ ;`o= .fficer [+on the fr*#in(ges of the. law and a wo)man s=$*eeking revenge. [Their paths cross, as they ^a [r\e obsessed wi^%th disc%)overing the identity of the mu )rderer behind a string o\-;f bruta=l crimes;: involving var(ious girls. They are b-(!o+th w-i- ?lling t)?o do wh; at!ever it takes t+*?o - secure a confession, even though+ they will have %to take the?. la=/,w into thei)/.]r own hands\!^ in- order [+=t:`o do so@*?. A (
t the same %% time ,
a@$? mode:%l detec= tive will do]!* =his utm#`ost to !#a
v-oid irreparabl*?e error[ _s being @made *a:#nd t -^o ensure[` that this despe^rate *se@.arc+;h for the truth do`$es !-not transfo\rm .into th+`e f
iercest of `wolves.